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Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!
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Steve Annis, cinematographer for I Am Mother, talks to Go Creative Show host, Ben Consoli, about creating the look for the Netflix film. Steve shares his approach to lighting the film, his camera and lens choices and why he doesn’t do camera tests, the robot of I Am Mother, plus we talk about his work in music videos, and much more!
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David Mullen, director of photography for The Marvelous Mrs. Maisel talks to Go Creative Show host Ben Consoli about creating the look for the Amazon hit show. David shares his visual inspiration for the series, the challenges of filming a period piece in modern-day Manhattan, his approach to oners and long shots, achieving the Notre Dom shot, and much more!
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Cinematographer Tod Campbell joins Go Creative Show host Ben Consoli to discuss crafting the look of Homecoming and Mr. Robot. We talk about Tods camera and lens choices, creating a perfect oner shot, creating LUTs with a colorist, the differences and similarities in the cinematography of Mr. Robot and Homecoming, and more!
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John Schwartzman is the legendary cinematographer behind the lens of classic films like The Rock, Seabiscuit, Armageddon, Pearl Harbor, The Founder, and Jurassic World. He joins Go Creative Show host Ben Consoli discuss his amazing career, tips for budding cinematographers, and his film, The Highwaymen.
