Go Creative Show

The Show For Creative Professionals

Ozark Cinematography (with Ben Kutchins) GCS154

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IN THIS EPISODE:

Ben Kutchins is the director of photography for the hit Netflix series Ozark. Ben joins Go Creative Show host and commercial director, Ben Consoli to discuss Ozark’s unique look, shooting on Panasonic VariCam, working with Jason Bateman and more.

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Spotlight: Ben Kutchins

  • Creating the look of Ozark
  • The power of color grading
  • Challenges of filming on a lake
  • Working with Jason Bateman
  • Shooting on Panasonic VariCam
  • Cinematography tips for shooting outdoors
  • and much more

 

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The Cinematography of Bohemian Rhapsody (With Newton Thomas Sigel) GCS152

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IN THIS EPISODE:

Newton Thomas Sigel is the visionary cinematographer for the highly anticipated film Bohemian Rhapsody. Tom joins Go Creative Show host and commercial director Ben Consoli to discuss Tom’s decision to shoot with the Alexa 65, creating a visual language for Freddie Mercury’s story, recreating Live Aid, and all the behind-the-scenes secrets you need to know. 

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Spotlight: Newton Thomas Sigel

  • Telling the visual story of Freddie Mercury and Queen
  • Recreating Live Aid
  • Hidden visual effects in Bohemian Rhapsody
  • Using the Alexa 65
  • Choosing different lenses for different time periods
  • Working with Rami Malek and Mike Myers
  • Working with director Bryan Singer and Dexter Fletcher
  • Memories from filming the X-Men films
  • and much more

 

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Mobile Filmmaking (with Neill Barham and Chris Demiris) GCS149

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IN THIS EPISODE:

The next evolution in filmmaking is here, and it’s on your phone. Listen as our guests Neill Barham CEO of Filmic Pro and Chris Demiris co-founder of Luma Touch join Go Creative Show host Ben Consoli to share tips that will prepare you for the mobile filmmaking revolution. 

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Spotlight: Neill Barham and Chris Demiris

  • What are the films shot on iPhone
  • Why is LumaFusion the perfect editing system for mobile filmmaking
  • The pro-level features of Filmic Pro
  • How to become a better mobile filmmaker
  • What are the essential tools for mobile filmmaking
  • What will the next crop of phones allow Filmic Pro and Luma Fusion to do
  • Why did Steven Soderbergh decide to shoot his film Unsane on iPhone
  • and much more

 

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The Cinematography of Westworld Season 2 (with John Grillo) GCS147

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John Grillo is the director of photography for Westworld season 2 and he’s on the show today to discuss his accomplished career, the challenges and rewards of shooting film, and behind the scenes secrets from the set. 

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Spotlight: John Grillo

  • The benefits of shooting film
  • Controlling the look of your film
  • What is a “tone meeting”
  • Transitioning from director of photography to director
  • Lighting for film vs. digital
  • and much more

 

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NAB 2018 (with Matt Allard and Erik Naso) GCS146

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Matt Allard and Erik Naso from Newsshooter.com join Go Creative Show host and commercial director Ben Consoli,  to discuss all the news and announcements from NAB 2018. Lighting, lenses, camera and ProRes Raw!  

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Spotlight: NAB 2018 Coverage with Matt Allard and Erik Naso

 

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A Quiet Place Cinematography (with Charlotte Bruus Christensen) GCS144

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Charlotte Bruus Christensen is the Danish cinematographer behind the lens of the horrifying and beautifully shot film A Quiet Place.  Charlotte joins commercial director and Go Creative Show host Ben Consoli to discuss the camera, lighting, and lensing choices for A Quiet Place, it’s unique sound design and how show created its horrifying yet warm look. 

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Spotlight: Charlotte Bruus Christensen

  • The cinematography of A Quiet Place
  • Working with writer/directors
  • Working with Denzel Washington on Fences
  • Why simple lighting is often better lighting
  • A new look for horror
  • Shooting on film
  • How to approach a film with nearly no dialogue
  • Working with Emily Blunt and John Krasinski
  • and much much more!

 

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The Cinematography of Altered Carbon (with Martin Ahlgren and Neville Kidd) GCS141

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Today we explore the cinematography of Altered Carbon with Directors of Photography Martin Ahlgren and Neville Kidd.

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Spotlight: Martin Ahlgren and Neville Kidd

  • The cinematography of Altered Carbon
  • The collaborative workflow between Martin and Neville
  • What was the visual inspiration for Altered Carbon’s iconic look
  • Planning for the future of lighting
  • Shooting on 360 degree sets
  • Why the futuristic look of Altered Carbon nods to the past
  • Mixing Canon and Cooke lenses
  • Data management
  • Shooting stunt and fight sequences
  • and much much more!

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  • Bladelight
  • Martin Ahlgren
  • Neville Kidd
  • Ben Consoli on Instagram and Twitter

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    1 Million Download Celebration (with Matt Workman and Rob Bessette) GCS140

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    Today we celebrate our 1 Millionth Download with special guests Matt Workman and Rob Bessette, recorded live at the PRX Podcast Garage in Boston

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    Spotlight: Matt Workman and Rob Bessette

  • The trends we saw on 2017
  • What to expect in 2018
  • The impact of social media on the video production industry
  • How creative people should be using social media
  • What is virtual filmmaking and why should you know about it
  • The benefits of using Matt Workman’s Cine Designer and Set Designer for Cinema4D
  • The evolution of VR, AR and 360 filmmaking
  • and much much more!

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    LINKS:

  • Mighty Squirrel
  • Retonica
  • Cinematography Database
  • Rob Bessette
  • Ben Consoli on Instagram and Twitter

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    The Super Secret Interview (with Evan Bourcier) GCS125

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    Evan Bourcier is an award-winning director of photography, blogger, podcast host and creator of the Super Secret Film Blog and he’s on today’s shot to talk about the production industry, gear, on-set etiquette and more.

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    Spotlight: Evan Bourcier

    Evan Bourcier is an award winning Director of Photography, podcast host, blogger, and creator of the Super Secret Film Blog where he curates information and discussion from filmmakers across the world. Evan and I discuss the state of the production industry for filmmakers and content producers, our favorite new gear, on-set etiquette, the value of sharing information, and so much more.

    • The value of sharing information
    • Discussing budget with your peers and clients
    • Social life vs work life, is there a boundary
    • Using social media to build your brand as a shooter/director
    • The ethics of sharing your work online
    • The value of challenging yourself
    • The pro’s and con’s of being a one-man-band videographer
    • Evan’s switch from Red to Alexa
    • Evan’s favorite production gear
    • and much much more!

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    The Cinematography of Get Out (with Toby Oliver) GCS120

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    a href=”http://www.tobyoliver.com/”>Toby Oliver ACS is the award-winning cinematographer behind of the lens of the Jordan Peele film “Get Out” and he’s here today to discuss all his lighting and lensing secrets.

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    Spotlight: Toby Oliver

    Toby Oliver is the award winning cinematographer behind the lens of Jordan Peels debut film “Get Out”. “Get Out” has received high praise from critics and movie goes around the world for it’s story, acting, and cinematography, and Toby shares all his lighting and lensing techniques that gave “Get Out” it’s uniquely horrifying look. We discuss the blending of horror and comedy, why he choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.

    • Rethinking the low budget horror film
    • Working with Jordan Peele
    • Choosing Zoom lenses vs. Primes
    • The most challenging shots of “Get Out”
    • Shooting car interiors with 2 cameras
    • Using a small LED lighting kit for feature films
    • The Sunken Place
    • Lighting ratios and false color
    • and much much more!

    SOME LINKS MENTIONED IN THE EPISODE:

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    PremiumBeat – Premium Royalty-Free Music and Sound
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    News Shooter – Making the real world look as good as cinema
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