Cinematography

Ozark Season 3 Cinematography (with Ben Kutchins)

Go behind the scenes and learn about the cinematography of Netflix’s hit series Ozark season 3 with director of photography Ben Kutchins.

Ben Kutchins and Go Creative Show host, Ben Consoli, discuss how the series has evolved visually, shooting on the large format Sony Venice camera, overcoming shooting challenges, and more!

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Better Call Saul Season 5 Cinematography (with Marshall Adams ASC)

Go behind the scenes of Better Call Saul season 5 with series director of photography Marshall Adams ASC.

Marshall and Go Creative Show host, Ben Consoli, discuss what to expect from Better Call Saul season 5, the shows crazy filming schedule, utilizing a b-cam for alternative angles, what makes a great director, and more!

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The Invisible Man Cinematography (with Stefan Duscio ACS)

The Making of The Invisible Man with cinematographer Stefan Duscio ACS.

Stefan Duscio and Go Creative Show host, Ben Consoli, discuss the technical issues behind filming an invisible character, using a robotic camera for VFX shots and the value of unmotivated camera movement. We also discuss why Stefan still uses a light meter, filming with the Alexa Mini LF and how he prepared for an IMAX release!

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The Outsider Cinematography (with Igor Martinovic and Zak Mulligan)

HBO’s adaptation of Stephen King’s THE OUTSIDER is a masterclass in camera movement, framing and focus. Listen as the cinematographers share how they achieved its dark and moody look.

Two of the series directors of photography, Igor Martinovic and Zak Mulligan, and Go Creative Show host, Ben Consoli, discuss how Igor transitioned from cinematographer to director, shooting on the Sony Venice, lighting and exposing for dark cinematography, and more!

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Cinematography of Taika Waititi’s Jojo Rabbit (with Mihai Malaimare Jr.)

Go behind the scenes of Taika Waititi’s Oscar-nominated film, Jojo Rabbit, with cinematographer Mihai Malaimare Jr.

Mihai and Go Creative Show host, Ben Consoli, discuss how they used rich color saturation to bring a new visual approach to a World War II film, what it’s like working with an actor who was also directing, how to motivate camera movement and composition, working with child actors, and so much more!

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