Designing Once Upon a Time in Hollywood (with Barbara Ling)

Barbara Ling, production designer for Once Upon a Time in Hollywood, discusses how she was able to turn back time and recreate 1960’s Hollywood.

Barbara and Go Creative Show host, Ben Consoli, discuss how Quentin Tarantino kept the film’s script a secret, how she restored Hollywood to the 1960’s, not using green screen, sourcing vintage props from eBay, filming the real Playboy Mansion, the challenges of filming on Hollywood Boulevard, and much more.

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Stranger Things Season 3 Cinematography (with Tim Ives)

Tim Ives, cinematographer for Netflix’s Stranger Things, returns to teach us how he filmed season 3.

Tim and Go Creative Show host, Ben Consoli, discuss Tim’s use of LED tubes, shooting season 3 with a full frame RED sensor, the programmable lighting design of the Starcourt Mall , Tim’s thoughts on the future of filmmaking, plus Tim answers audience questions, and more!

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The Lion King and Virtual Filmmaking (with Caleb Deschanel)

Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film.

Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!

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The Chernobyl Cinematographer (with Jakob Ihre)

Jakob Ihre, cinematographer for HBO’s Chernobyl, gives an inside look at his approach to shooting and lighting the dramatic mini-series.

Jakob and Go Creative Show host, Ben Consoli, discuss how he worked with colorist to create Chernobyl’s distinctive look, their incredible interior/exterior sound stage, most challenging shots of the series and why a water bottle is a valuable cinematic tool.

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Midsommar and Hereditary Cinematography (with Pawel Pogorzelski)

Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.

Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!

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Spider-Man Far From Home Cinematography (with Matthew Lloyd)

Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. Matthew and Go Creative Show host, Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!

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Child’s Play Cinematography and Filming Horror (with Brendan Uegama)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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Men In Black International Cinematography (with Stuart Dryburgh)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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I Am Mother Cinematography (with Steve Annis)

Steve Annis, cinematographer for I Am Mother, talks to Go Creative Show host, Ben Consoli, about creating the look for the Netflix film. Steve shares his approach to lighting the film, his camera and lens choices and why he doesn’t do camera tests, the robot of I Am Mother, plus we talk about his work in music videos, and much more!

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The Marvelous Mrs. Maisel Cinematography (with David Mullen)

David Mullen, director of photography for The Marvelous Mrs. Maisel talks to Go Creative Show host Ben Consoli about creating the look for the Amazon hit show. David shares his visual inspiration for the series, the challenges of filming a period piece in modern-day Manhattan, his approach to oners and long shots, achieving the Notre Dom shot, and much more!

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