The Chernobyl Cinematographer (with Jakob Ihre)

Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.

Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!

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Midsommar and Hereditary Cinematography (with Pawel Pogorzelski)

Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.

Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!

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Spider-Man Far From Home Cinematography (with Matthew Lloyd)

Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. Matthew and Go Creative Show host, Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!

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Child’s Play Cinematography and Filming Horror (with Brendan Uegama)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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Men In Black International Cinematography (with Stuart Dryburgh)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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I Am Mother Cinematography (with Steve Annis)

Steve Annis, cinematographer for I Am Mother, talks to Go Creative Show host, Ben Consoli, about creating the look for the Netflix film. Steve shares his approach to lighting the film, his camera and lens choices and why he doesn’t do camera tests, the robot of I Am Mother, plus we talk about his work in music videos, and much more!

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The Marvelous Mrs. Maisel Cinematography (with David Mullen)

David Mullen, director of photography for The Marvelous Mrs. Maisel talks to Go Creative Show host Ben Consoli about creating the look for the Amazon hit show. David shares his visual inspiration for the series, the challenges of filming a period piece in modern-day Manhattan, his approach to oners and long shots, achieving the Notre Dom shot, and much more!

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Creating the Documentary All In My Family (with Hao Wu)

Documentary filmmaker Hao Wu joins Go Creative Show host Ben Consoli to discuss his latest film, All In My Family. We talk about his transition from tech industry to full time filmmaking, filming one-man-band style for All In My Family, getting involved with Netflix, resources documentary filmmakers can use for their projects, being a filmmaker and a father, and more!

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Designing Disney’s Aladdin (with Gemma Jackson)

Gemma Jackson, production designer for Disney’s live action Aladdin, joins Go Creative Show host and commercial director Ben Consoli to discuss the film. As the award winning production designer of Game of Thrones, Finding Neverland, Bridget Jones Diary and more, Gemma shares her experience working with director Guy Ritchie to create Aladdin’s stunning look. Gemma shares how she adapted the classic cartoon into live action, creating the city ofAgrabah, her relationship with choreographers and cinematographers, her brilliant use of the iconic blue color for Will Smith’s Genie and much more.

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Homecoming and Mr. Robot Cinematography (with Tod Campbell)

Cinematographer Tod Campbell joins Go Creative Show host Ben Consoli to discuss crafting the look of Homecoming and Mr. Robot. We talk about Tods camera and lens choices, creating a perfect oner shot, creating LUTs with a colorist, the differences and similarities in the cinematography of Mr. Robot and Homecoming, and more!

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