Growing Your Filmmaking Career with YouTube (with Tyler Stalman)

Discover how to advance your filmmaking and photography career on YouTube and Instagram in our interview with YouTuber and podcaster Tyler Stalman.

Tyler and Go Creative Show host, Ben Consoli, discuss what it takes to stand out on YouTube, Tyler’s experience going from a stock photographer to freelance cinematographer, why it’s helpful to have a wide skillset of services, and much more!

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Cinematography of Taika Waititi’s Jojo Rabbit (with Mihai Malaimare Jr.)

Go behind the scenes of Taika Waititi’s Oscar-nominated film, Jojo Rabbit, with cinematographer Mihai Malaimare Jr.

Mihai and Go Creative Show host, Ben Consoli, discuss how they used rich color saturation to bring a new visual approach to a World War II film, what it’s like working with an actor who was also directing, how to motivate camera movement and composition, working with child actors, and so much more!

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The Cinematography of Honey Boy (with Natasha Braier)

Learn how the Honey Boy cinematographer Natasha Braier brought her strong visual approach to create the films unique look.

Natasha and Go Creative Show host, Ben Consoli, discuss how the film’s star, Shia LaBeouf, wrote and acted in the film, her unique approach to adding artifacts onto the lenses, and much more!

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Production Design for Star Wars, Avatar, and more (with Rick Carter)

Legendary production design Rick Carter takes us behind the scenes of his most iconic films including Star Wars: The Rise of Skywalker, Avatar, Jurassic Park, Forrest Gump, and more.

Rick and Go Creative Show host, Ben Consoli, discuss Rick’s incredible portfolio of films, working with Steven Spielberg and JJ Abrams, the philosophy of production design, and much more!

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Knives Out Cinematography (with Steve Yedlin)

Go behind the scenes of Knives Out and Star Wars The Last Jedi with cinematographer Steve Yedlin.

Steve and Go Creative Show host, Ben Consoli, discuss what was involved in finding the perfect mansion for Knives Out, collaborating with director Rian Johnson, using scientific formulas and rigs to light the small interiors, plus scene breakdowns for Knives Out and Star Wars: The Last Jedi, and much more!

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Star Wars The Mandalorian Cinematography (with Baz Idoine)

Go behind the scenes of the popular Star Wars series, The Mandalorian, with cinematographer Baz Idoine.

Baz and Go Creative Show host, Ben Consoli, discuss the look of the series, how they used innovated LED panel technology for backgrounds, his thoughts on the phenomenon that is Baby Yoda, and much more!

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Cinematography, Audio, and Color Grading Trends: A Year in Review

Happy New Year! In this episode, we discuss the trends in cinematography, audio, and color grading from the past year and what we expect for 2020.

You’ll hear from Go Creative Show host, Ben Consoli, show producer Connor Crosby, show audio mixer Matt Russell, director of photography Chris Loughran, and colorist Rob Bessette.

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Cats Cinematography and Filming Musicals (with Christopher Ross)

Learn how the cinematographer of CATS, Christopher Ross, transformed Francesca Hayward, Taylor Swift, Idris Elba, and more into dancing felines.

Chris and Go Creative Show host, Ben Consoli, discuss working on the film up until its premiere, the large practical sets they built, the challenges of filming with forced perspective, and much more!

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Terrence Malick’s A Hidden Life Cinematography (with Joerg Widmer)

Go behind the scenes of Terrence Malick’s A Hidden Life with cinematographer Joerg Widmer.

Joerg and Go Creative Show host, Ben Consoli, discuss working with director Terrence Malick, the challenges of shooting ONLY on wide angle lenses, going from camera operator to cinematographer, and more!

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A Million Little Pieces Cinematography (with Jeff Cronenweth)

Legendary cinematographer Jeff Cronenweth (Fight Club, Social Network, Girl with the Dragon Tattoo) gives us an inside look at the making of his latest film A Million Little Pieces

Jeff and Go Creative Show host, Ben Consoli, discuss the constraints of turning a book into a screenplay, how they only had 21 days and $4 million dollars to produce it, how Jeff utilized 3 cameras, the use of practical special effects, and more!

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