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Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film.

Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!

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Jakob Ihre, cinematographer for HBO’s Chernobyl, gives an inside look at his approach to shooting and lighting the dramatic mini-series.

Jakob and Go Creative Show host, Ben Consoli, discuss how he worked with colorist to create Chernobyl’s distinctive look, their incredible interior/exterior sound stage, most challenging shots of the series and why a water bottle is a valuable cinematic tool.

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Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.

Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!

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Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!