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In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode 7 directorial debut. She shares insights into her creative process, the challenges of shooting in unique environments, and the evolution of cinematography from Season One to Season Two. Jessica emphasizes the importance of collaboration, the emotional journey of directing, and the innovative techniques used in the series, including transitions and lighting choices. The conversation highlights her growth as a filmmaker and her aspirations for future projects

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In this episode of the Go Creative Show, cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in shooting on film, the challenges of balancing family life with a demanding career, and the unique lighting techniques that evoke a 70s aesthetic. He shares insights into the language of film, the importance of capturing authenticity, and how chaos can enhance the storytelling process. Drew reflects on his evolving collaboration with director Sean Baker and the milestones in his career that have shaped his approach to cinematography.

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In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the visual style, character development, and innovative techniques used throughout the production. He shares insights into the evolution of cinematography as it relates to Bob Dylan’s journey, the importance of texture and authenticity in the film’s aesthetic, and the collaborative process with director James Mangold.

We also discuss his innovative techniques for shooting night exteriors, the importance of location filming, and the dynamic control of lighting on set. He reflects on the musicality of filmmaking and the collaborative process with actors and directors. Additionally, he shares his thoughts on the impact of AI on the future of cinematography and the importance of maintaining creative integrity in filmmaking.

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In this episode of the Go Creative Show, cinematographer Jarin Blaschke discusses his work on the new film Nosferatu, reflecting on his journey in cinematography and the collaborative process with director Robert Eggers. He delves into the unique visual style of Nosferatu, including the use of moonlight and lighting techniques, as well as the challenges faced during production. Jarin shares insights on camera movement, framing choices, and the emotional impact of the film on viewers. He also hints at future projects and his aspirations in the film industry.

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In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic, the return of practical effects in cinema, and the challenges of lighting large sets. She emphasizes the importance of collaboration and trust within her crew, the role of nature in storytelling, and the innovative use of Unreal Engine for pre-visualization. The conversation also touches on female representation in the film industry and the personal journeys of women in cinematography.

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In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series ‘American Sports Story: Aaron Hernandez.’ They discuss the unique storytelling approach of the series, focusing on the complexities of Aaron Hernandez’s life beyond sports. Elie shares insights into the visual style, including the use of color to represent trauma and the innovative techniques used to depict CTE. The conversation also covers the challenges faced during filming, the importance of collaboration in filmmaking, and Elie’s personal goals in the industry.