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Cinematographer Jason McCormick returns to Go Creative Show to discuss his work on the FX series Love Story, beginning with the story of John F. Kennedy Jr. and Carolyn Bessette. Jason breaks down how he approached the visual language of a romantic story after working on darker projects like Dahmer and Menendez, and how the show’s look evolved through instinct, collaboration, and trust.
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In this episode of the Go Creative Show, cinematographer James Whitaker discusses his work on the film ‘Good Luck, Have Fun, Don’t Die,’ directed by Gore Verbinski. The conversation covers the film’s unique genre-bending narrative, the challenges of cinematography within a limited budget and timeframe, and the creative decisions that shaped its visual style. Whitaker shares insights on lighting techniques, camera choices, and the importance of collaboration in filmmaking. He also expresses concerns about the impact of AI on the creative industry, reflecting on the balance between technology and human artistry.
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What can puppetry teach filmmakers? Andrew G. Cooper (Fraggle Rock) joins The Go Creative Show to explore storytelling, performance, and cinematic craft.
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Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves its raw, immersive style—and why sometimes, there’s no storyboard at all. Whether you’re a seasoned DP, an indie filmmaker, or a Bear superfan, this is a must-listen.
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In the wake of COVID-19, remote video production is the main way TV shows and videos are continuing to be produced. In this episode, Jason Liquori, owner of C Mount Rentals, shares how his team is partnering with The Late Late Show, Jimmy Kimmel Live, Ellen, and more for remote productions.
Jason and Go Creative Show host, Ben Consoli, discuss the type of equipment he’s providing to TV networks, how they’re remotely controlling the equipment, recording high quality footage, and more!
