Cinematography

Spider-Man Far From Home Cinematography (with Matthew Lloyd)

Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. Matthew and Go Creative Show host, Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!

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Child’s Play Cinematography and Filming Horror (with Brendan Uegama)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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Men In Black International Cinematography (with Stuart Dryburgh)

Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!

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I Am Mother Cinematography (with Steve Annis)

Steve Annis, cinematographer for I Am Mother, talks to Go Creative Show host, Ben Consoli, about creating the look for the Netflix film. Steve shares his approach to lighting the film, his camera and lens choices and why he doesn’t do camera tests, the robot of I Am Mother, plus we talk about his work in music videos, and much more!

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The Marvelous Mrs. Maisel Cinematography (with David Mullen)

David Mullen, director of photography for The Marvelous Mrs. Maisel talks to Go Creative Show host Ben Consoli about creating the look for the Amazon hit show. David shares his visual inspiration for the series, the challenges of filming a period piece in modern-day Manhattan, his approach to oners and long shots, achieving the Notre Dom shot, and much more!

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