Podcast: Play in new window | Download
Subscribe: RSS
Film Riot is an inspiration to all filmmakers, and in this episode of Go Creative Show, we celebrate the 10 year anniversary of Film Riot, with Ryan Connolly.
Ryan and Go Creative Show host, Ben Consoli, discuss how Film Riot has changed over the years, plus a behind the scenes look at his latest short film “There Comes a Knocking” and why it’s a first step towards a feature film.
Podcast: Play in new window | Download
Subscribe: RSS
Tim Ives, cinematographer for Netflix’s Stranger Things, returns to teach us how he filmed season 3.
Tim and Go Creative Show host, Ben Consoli, discuss Tim’s use of LED tubes, shooting season 3 with a full frame RED sensor, the programmable lighting design of the Starcourt Mall , Tim’s thoughts on the future of filmmaking, plus Tim answers audience questions, and more!
Podcast: Play in new window | Download
Subscribe: RSS
Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film.
Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!
Podcast: Play in new window | Download
Subscribe: RSS
Jakob Ihre, cinematographer for HBO’s Chernobyl, gives an inside look at his approach to shooting and lighting the dramatic mini-series.
Jakob and Go Creative Show host, Ben Consoli, discuss how he worked with colorist to create Chernobyl’s distinctive look, their incredible interior/exterior sound stage, most challenging shots of the series and why a water bottle is a valuable cinematic tool.
Podcast: Play in new window | Download
Subscribe: RSS
Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.
Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!
