get out

Costume Design Demystified (with Nadine Haders) GCS126

Nadine Haders joins us to discuss the artistry and logistics of costume designer for film and television plus, Erik Naso from Newsshooter and I discuss the Red Hydrogen announcement.

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Spotlight: Nadine Haders

Nadine Haders is the talented and versatile costume designer behind films and television shows like Six Feet Under, Deadwood, and the recent Jordan Peele film Get Out. Nadine and I discuss her role as a costume designer and how wardrobe can make or break a character. We dive deep into her work on Get Out and how its’ well defined color pallet supported and enhanced the story, whether you knew it or not. Plus, Erik Naso from NewsShooter.com joins us to discuss the announcement of the Red Hydrogen

  • Nadine’s work on Get Out
  • Working with Jordan Peele
  • How a costume designer presents ideas to a director
  • The importance of the colors blue and red in ‘Get Out’
  • Working with a color pallet in wardrobe design
  • How do you build a character through wardrobe
  • The similarities between ‘Get Out’ and ‘Rosemary’s Baby’
  • Creating a cult through color
  • Nadines work on HBO’s ‘Six Feet Under’
  • The details on the RED Hydrogen
  • The pre-order culture and what it means for the production industry
  • and much much more!

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The Cinematography of Get Out (with Toby Oliver) GCS120

a href=”http://www.tobyoliver.com/”>Toby Oliver ACS is the award-winning cinematographer behind of the lens of the Jordan Peele film “Get Out” and he’s here today to discuss all his lighting and lensing secrets.

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Spotlight: Toby Oliver

Toby Oliver is the award winning cinematographer behind the lens of Jordan Peels debut film “Get Out”. “Get Out” has received high praise from critics and movie goes around the world for it’s story, acting, and cinematography, and Toby shares all his lighting and lensing techniques that gave “Get Out” it’s uniquely horrifying look. We discuss the blending of horror and comedy, why he choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.

  • Rethinking the low budget horror film
  • Working with Jordan Peele
  • Choosing Zoom lenses vs. Primes
  • The most challenging shots of “Get Out”
  • Shooting car interiors with 2 cameras
  • Using a small LED lighting kit for feature films
  • The Sunken Place
  • Lighting ratios and false color
  • and much much more!

SOME LINKS MENTIONED IN THE EPISODE:

SUBSCRIBE:

Logo for Stitcher Smart Radio Logo for Subscribe with iTunes

SHOW SUPPORTERS:

Hedge for Mac – The fastest way to backup media.
HedgeForMac.com

Kessler – Innovative Tools for Filmmaking
www.kesslercrane.com

Rule Boston Camera – Buy. Rent. Create.
www.rule.com // Rule’s Event Page

PremiumBeat – Premium Royalty-Free Music and Sound
www.premiumbeat.com

News Shooter – Making the real world look as good as cinema
NewsShooter.com

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • RSS