2020 Oscars

Cinematography of Taika Waititi’s Jojo Rabbit (with Mihai Malaimare Jr.)

Go behind the scenes of Taika Waititi’s Oscar-nominated film, Jojo Rabbit, with cinematographer Mihai Malaimare Jr.

Mihai and Go Creative Show host, Ben Consoli, discuss how they used rich color saturation to bring a new visual approach to a World War II film, what it’s like working with an actor who was also directing, how to motivate camera movement and composition, working with child actors, and so much more!

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Production Design for Star Wars, Avatar, and more (with Rick Carter)

Legendary production design Rick Carter takes us behind the scenes of his most iconic films including Star Wars: The Rise of Skywalker, Avatar, Jurassic Park, Forrest Gump, and more.

Rick and Go Creative Show host, Ben Consoli, discuss Rick’s incredible portfolio of films, working with Steven Spielberg and JJ Abrams, the philosophy of production design, and much more!

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Knives Out Cinematography (with Steve Yedlin)

Go behind the scenes of Knives Out and Star Wars The Last Jedi with cinematographer Steve Yedlin.

Steve and Go Creative Show host, Ben Consoli, discuss what was involved in finding the perfect mansion for Knives Out, collaborating with director Rian Johnson, using scientific formulas and rigs to light the small interiors, plus scene breakdowns for Knives Out and Star Wars: The Last Jedi, and much more!

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Ford v Ferrari Cinematography (with Phedon Papamichael)

Go behind the scenes of Ford v Ferrari with cinematographer Phedon Papamichael. Phedon and Go Creative Show host, Ben Consoli, discuss filming the race scenes practically, the benefits of filming on the fly vs using storyboards, the challenges of shooting in an functioning airport, and more!

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Behind the scenes of The Lighthouse (with Robert Eggers and Jarin Blaschke)

In this episode we discuss The Lighthouse with director Robert Eggers and cinematographer Jarin Blaschke. Learn about Robert’s writing and directing process, how they constructed a real lighthouse for the film, why Jarin needed blinding light for their black and white film stock, how the crew overcame harsh weather and shooting conditions, and much more!

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