Behind the Scenes of the 2020 Emmys (with Jason Liquori)
The 2020 Emmys were filmed remotely this year – learn how they did it with Jason Liquori, owner of C Mount Industries.
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The 2020 Emmys were filmed remotely this year – learn how they did it with Jason Liquori, owner of C Mount Industries.
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Learn how the golden age of photojournalism inspired the cinematography for the Emmy-Nominated “The Plot Against America” with director of photography Martin Alghren.
Martin and Go Creative Show host, Ben Consoli, discuss his use of deep focus to create a believable alternative history, and the perfect camera/lens combination to achieve the unique look. Plus the challenges of filming car scenes, changing camera movement throughout the series, shooting day for night, and more!
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Emmy-nominated cinematographer Benedict Spence joins us to discuss his strict visual approach to season two of Netflix’s End of the F***ing World.
Benedict and Go Creative Show host, Ben Consoli, discuss his process creating a strict visual rule book, using center framing to make characters feel isolated, working on a very tight schedule, most embarrassing moment on set, and much more!
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Emmy-nominated cinematographer Garrett Rose discusses his simple but sophisticated approach to filming Netflix’s Queer Eye reality series.
Garrett and Go Creative Show host, Ben Consoli, discuss the concept of “cinema verite,” shooting on the versatile Sony FS7, Garrett’s approach to soft but natural lighting, experimenting as a cinematographer, and more!
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Discover the challenges of filming a comic series based in a dramatic reality with HBO’s Watchmen cinematographer, Xavier Grobet ASC.
Xavier and Go Creative Show host, Ben Consoli, discuss overcoming the visual challenges of Watchmen, the difficulties of lighting and filming masked characters, the unique camera rig used for Looking Glass’ reflective shield, advice for new cinematographers, and more!