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tv production

Studio-Quality Remote Video Production (with Jason Liquori)

June 16, 2020 Gear and News 01:04:32

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In the wake of COVID-19, remote video production is the main way TV shows and videos are continuing to be produced. In this episode, Jason Liquori, owner of C Mount Rentals, shares how his team is partnering with The Late Late Show, Jimmy Kimmel Live, Ellen, and more for remote productions.

Jason and Go Creative Show host, Ben Consoli, discuss the type of equipment he’s providing to TV networks, how they’re remotely controlling the equipment, recording high quality footage, and more!

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Editing Reality TV (with Molly Shock ACE)

June 9, 2020 Post-Production and VFX 01:02:02

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Learn about the tiring process behind editing some of your favorite reality TV shows with editor Molly Shock ACE.

Molly and Go Creative Show host, Ben Consoli, discuss how reality TV has evolved, her collaboration with editors and producers, the psychology of editing, plus behind the scenes of RuPaul’s Drag Race, MasterChef, and more!

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The Outsider Cinematography (with Igor Martinovic and Zak Mulligan)

February 25, 2020 Cinematography 1:11:33

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HBO’s adaptation of Stephen King’s THE OUTSIDER is a masterclass in camera movement, framing and focus. Listen as the cinematographers share how they achieved its dark and moody look.

Two of the series directors of photography, Igor Martinovic and Zak Mulligan, and Go Creative Show host, Ben Consoli, discuss how Igor transitioned from cinematographer to director, shooting on the Sony Venice, lighting and exposing for dark cinematography, and more!

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Multi-Camera Sketch Comedy and All That (with Michael Franks)

September 24, 2019 Cinematography 1:08:13

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In today’s episode, we interview Michael Franks, television cinematographer for Nickelodeon’s reboot of the 90’s show, All That.

Michael shares stories from his early career at Saturday Night Live and how it prepared him for All That. Plus, insight on the grueling work schedule needed for a weekly sketch comedy show, lighting over 70 sets in 5 weeks, and the challenge of lighting for multiple cameras. Michael also shares his prefered camera and lens packages for the show, important skillsets for multi-camera cinematographers, and much more!

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