Podcast: Play in new window | Download
Subscribe: RSS
In this episode we discuss The Lighthouse with director Robert Eggers and cinematographer Jarin Blaschke. Learn about Robert’s writing and directing process, how they constructed a real lighthouse for the film, why Jarin needed blinding light for their black and white film stock, how the crew overcame harsh weather and shooting conditions, and much more!
Podcast: Play in new window | Download
Subscribe: RSS
Cinematography tips for filming horror! Today we celebrate Halloween with Guy Pooles, the director of photography for the anthology series Two Sentence Horror Stories.
Guy and Go Creative Show host, Ben Consoli, discuss the concept of the anthology series, Guy’s approach to horror cinematography and his creative use of in-camera haze, his camera and lighting choices and much more!
Podcast: Play in new window | Download
Subscribe: RSS
El Camino: A Breaking Bad Movie and Better Call Saul director of photography, Marshall Adams, shares a behind the scenes look at the Breaking Bad Universe. Marshall and Go Creative Show host, Ben Consoli, discuss the making of El Camino, its most challenging scenes, filming with the Alexa 65, Marshalls lighting philosophy and thoughts on future Breaking Bad films. Plus questions from Go Creative Show listeners!
Podcast: Play in new window | Download
Subscribe: RSS
Today we talk with Richard Rutkowski, the cinematographer for Hulu’s Castle Rock! Richard and Go Creative Show host, Ben Consoli, discuss what inspired the series look, the cameras and lens used on Castle Rock, the most challenging scenes and what you can expect from season 2, plus his work on other shows like Jack Ryan and The Americans.
Podcast: Play in new window | Download
Subscribe: RSS
“Joker” Director of Photography, Lawrence Sher, shares behind the scenes secrets and his thoughts on the controversy surrounding the film.
Lawrence and Go Creative Show host, Ben Consoli, discuss the lighting and camera tricks that gave Joker its unique look, how they worked around Joaquin Phoenix’s leg injury, the camera and lenses used, filming subway scenes with LED projection technology, and more!
