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Cinematography

Cinematography of Two Sentence Horror Stories (with Guy Pooles) [BONUS]

Cinematography tips for filming horror! Today we celebrate Halloween with Guy Pooles, the director of photography for the anthology series Two Sentence Horror Stories.

Guy and Go Creative Show host, Ben Consoli, discuss the concept of the anthology series, Guy’s approach to horror cinematography and his creative use of in-camera haze, his camera and lighting choices and much more!

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El Camino and Better Call Saul Cinematography (with Marshall Adams)

El Camino: A Breaking Bad Movie and Better Call Saul director of photography, Marshall Adams, shares a behind the scenes look at the Breaking Bad Universe. Marshall and Go Creative Show host, Ben Consoli, discuss the making of El Camino, its most challenging scenes, filming with the Alexa 65, Marshalls lighting philosophy and thoughts on future Breaking Bad films. Plus questions from Go Creative Show listeners!

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The Cinematography of Castle Rock and The Americans (with Richard Rutkowski)

Today we talk with Richard Rutkowski, the cinematographer for Hulu’s Castle Rock! Richard and Go Creative Show host, Ben Consoli, discuss what inspired the series look, the cameras and lens used on Castle Rock, the most challenging scenes and what you can expect from season 2, plus his work on other shows like Jack Ryan and The Americans.

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Cinematography of Joker (with Lawrence Sher)

“Joker” Director of Photography, Lawrence Sher, shares behind the scenes secrets and his thoughts on the controversy surrounding the film.

Lawrence and Go Creative Show host, Ben Consoli, discuss the lighting and camera tricks that gave Joker its unique look, how they worked around Joaquin Phoenix’s leg injury, the camera and lenses used, filming subway scenes with LED projection technology, and more!

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Multi-Camera Sketch Comedy and All That (with Michael Franks)

In today’s episode, we interview Michael Franks, television cinematographer for Nickelodeon’s reboot of the 90’s show, All That.

Michael shares stories from his early career at Saturday Night Live and how it prepared him for All That. Plus, insight on the grueling work schedule needed for a weekly sketch comedy show, lighting over 70 sets in 5 weeks, and the challenge of lighting for multiple cameras. Michael also shares his prefered camera and lens packages for the show, important skillsets for multi-camera cinematographers, and much more!

  • Apple Podcast
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  • Pocket Cast
  • Overcast
  • YouTube