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Everything Everywhere All At Once Cinematography (with Larkin Seiple)

EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by director of photography Larkin Seiple.

Larkin and Go Creative Show host, Ben Consoli, break down his visual approach to the different universes. Plus, we discuss how the multi-verse transitions were achieved, the inspiration for hot dog fingers, the many types of lenses used, working with tight budgets, driving 4 hours for a 1 minute rock scene, and much more.

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • YouTube

Moon Knight and The Green Knight Cinematography (with Andrew Droz Palermo)

Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo. We do a deep dive into Andrew’s visual approach for both projects.

Andrew and Go Creative Show host, Ben Consoli, discuss why he avoided excessive close up angles, how filming handheld can motivate editing, what no one thinks about when filming in the desert, cinematography tricks to make someone look crazy, and so much more.

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • YouTube

Jurassic World Dominion Cinematography (with John Schwartzman ASC)

JURASSIC WORLD DOMINION brings the dinosaurs to the rest of the world in a terrifying way. Director of photography John Schwartzman ASC shares how the scare factor was pushed thanks in part to his amazing cinematography.

John and Go Creative Show host, Ben Consoli, discuss shooting both on film and digitally, working with animatronic dinosaurs, the hustle of being a cinematographer, filming with iPhones, plus we break down some of the biggest scenes in the movie.

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • YouTube

Outer Range Cinematography (with Drew Daniels)

OUTER RANGE keeps you on the edge of your seat with its dramatic, sci-fi focused storytelling and incredible visuals. Cinematographer Drew Daniels shares how he “steals” the great DP Roger Deakins’ lighting techniques as we deconstruct the show’s visual approach.

Drew and Go Creative Show host, Ben Consoli, discuss collaborating with other cinematographers on a series, having a sense of humor with cinematography, the effects of camera movement on a scene, relying on practical lighting, and so much more.

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • YouTube

Better Call Saul Season 6 Cinematography (with Marshall Adams)

BETTER CALL SAUL cinematographer Marshall Adams shares how the show’s visual approach has evolved over its six seasons, plus we break down some of the final seasons biggest moments. 

Marshall and Go Creative Show host, Ben Consoli, discuss using choreographed dance actors in the season 6 opening scene, why the “ant macro shot” was so challenging, filming the beautiful desert vistas, how crew is affected by filming in the desert, and so much more!

  • Apple Podcast
  • Spotify
  • Stitcher
  • Pocket Cast
  • Overcast
  • YouTube