post production

Editing Stranger Things (with Kevin Ross and Dean Zimmerman) GCS100

Go Creative Show celebrates 100 episodes with Kevin Ross and Dean Zimmerman, the editors behind the massive Netflix hit Stranger Things and we discuss all the post production techniques used to create its nostalgic look and engaging sequences.

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Spotlight: Kevin Ross and Dean Zimmerman

Kevin Ross and Dean Zimmerman are the editors behind the massive Netflix hit Stranger Things. Together they help create it’s nostalgic look, action scenes, and perfectly paced sequences. As any editor knows, the pacing and feeling of the show can be influenced by what happens in the edit suite and we talk all about their techniques. Dean comes from a film background, while Kevin brings years of tv editing experience and we discuss the differences between the two workflows, and how together they have helped to create the pop culture phenomenon Stranger Things.

  • Why Stranger Things has become a pop culture phenomenon
  • Editing for snappy dialogue
  • The post production process for Stranger Things
  • Finishing on 4K, shooting in 6K
  • Shooting and editing schedules
  • Collaboration with other editors
  • How removing the sound can enhance the scene
  • How Jim Carey brought them together
  • The 80’s tonal feel of the Stranger Things color grade
  • and much much more!

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The Changing Post Production Industry (with Wes Plate from Automatic Duck) GCS077

Wes Plate from Automatic Duck on Go Creative Show

IN THIS EPISODE:

Today we discuss the changing post production industry with Wes Plate from Automatic Duck. How has the Adobe Creative Cloud changed our industry, and why has Wes focused on Final Cut Pro X with his latest software.

The Go Creative Show is supported by
Kessler – www.kesslercrane.com
Rule Boston Camera – www.rule.com
PremiumBeat.com
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  • Listen to this weeks full track: Burn Bright by Reaktor Productions

Spotlight: Wes Plate

Wes Plate is a freelance creative editor and the president and founder of Automatic Duck. After achieving great success with Automatic Duck, Wes began working at Adobe during their most historic time, as they prepared for the launch of what is now Creative Cloud. We discuss the behind the scenes stories from his time at Adobe and his support for Final Cut Pro X. We also celebrate the return of Automatic Duck after a 4 year hiatus and get an inside look at their latest offerings.

  • An inside peek at Adobe
  • The rise of premiere and creative cloud
  • Why Automatic Duck focused so much attention on FCPX
  • Wes Plates thoughts on FCPX
  • The delicate and important relationship between FCPX and Adobe After Effects
  • Automatic Duck Media Copy 4
  • and more…

SOME LINKS MENTIONED IN THE EPISODE:

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SHOW SUPPORTERS:

Kessler – Innovative Tools for Filmmaking
www.kesslercrane.com

Rule Boston Camera – Buy. Rent. Create.
www.rule.com

PremiumBeat – Premium Royalty-Free Music and Sound
www.premiumbeat.com

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NewsShooter.com

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One Man Band (With Shane Reynolds) GCS027

Today we speak with Shane Reynolds, AKA Shane-O the host and producer for a variety of travel programs on National Geographic, Discovery Channel, Travel Channel and more. With over 15 years experience, Shane has mastered the 1-man-band approach to video production and has done so while traveling the world. We discuss his camera package, mobile edit suite, managing budgets and more.

The Go Creative Show is supported by Kessler (www.kesslercrane.com), Rule Boston Camera (www.rule.com),Β PremiumBeat.com.
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Spotlight: Shane Reynolds

Shane Reynolds is an award winning producer, director and editor who’s production company, Color Earth, has produced documentaries, tv series and online programming that aired internationally on networks such as National Geographic, Discovery Channel, Travel Channel, BBC and more. With over 15 years of experience Shane has redefined the 1-man-band approach to video production and has shot all over the world. We discuss his camera package and editing platform, managing budgets and working with networks, producing for web vs television and of course stories from his experiences shooting in nearly every continent around the globe.

  • Redefining the One-Man-Band approach to video production
  • Living and working in Nashville
  • Working for Discovery Channel
  • Working in Africa
  • Shooting in the Sahara
  • How to manage a budget
  • Transition from a music to a video career
  • How to “weed out” serious clients
  • Producing a web series vs a tv series
  • And much more.

SOME LINKS MENTIONED IN THE EPISODE:

SUBSCRIBE:

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SHOW SUPPORTERS:

Kessler – Innovative Tools for Filmmaking
www.kesslercrane.com

Rule Boston Camera – Buy. Rent. Create.
www.rule.com

PremiumBeat – Exclusive Royalty-Free Music and Sound
www.premiumbeat.com

NewsShooter – Making the real world look as good as cinema
NewsShooter.com

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Creative Anarchy (With Paul Maibaum, DP of Sons of Anarchy) GCS016

In this Go Creative Show podcast, we speak with Paul Maibaum ASC, director of photography for the hit television series, Sons of Anarchy.

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Hi Larry (with Larry Jordan and Alex Gollner) GCS014

In this Go Creative Show podcast, we speak with the internationally-renowned trainer and consultant Larry Jordan, the guru of all post production applications.

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