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Today we discuss all the news and announcements from IBC 2019 with Matthew Allard from NewsShooter.com. We dive deep into the Sony FX9, Canon C500 M2, new lights from Arri and Aputure, the future of Raw recording, and so much more.
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Barbara Ling, production designer for Once Upon a Time in Hollywood, discusses how she was able to turn back time and recreate 1960’s Hollywood.
Barbara and Go Creative Show host, Ben Consoli, discuss how Quentin Tarantino kept the film’s script a secret, how she restored Hollywood to the 1960’s, not using green screen, sourcing vintage props from eBay, filming the real Playboy Mansion, the challenges of filming on Hollywood Boulevard, and much more.
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Tim Ives, cinematographer for Netflix’s Stranger Things, returns to teach us how he filmed season 3.
Tim and Go Creative Show host, Ben Consoli, discuss Tim’s use of LED tubes, shooting season 3 with a full frame RED sensor, the programmable lighting design of the Starcourt Mall , Tim’s thoughts on the future of filmmaking, plus Tim answers audience questions, and more!
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Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film.
Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!
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Jakob Ihre, cinematographer for HBO’s Chernobyl, gives an inside look at his approach to shooting and lighting the dramatic mini-series.
Jakob and Go Creative Show host, Ben Consoli, discuss how he worked with colorist to create Chernobyl’s distinctive look, their incredible interior/exterior sound stage, most challenging shots of the series and why a water bottle is a valuable cinematic tool.
