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Fashion… Sex… Drama… The filming and lighting of HALSTON on Netflix with cinematographer Tim Ives. Learn about the incredible use of color theory, lighting, lenses and more.
Tim and Go Creative Show host, Ben Consoli, discuss using special Sigma lenses to give the Studio 54 nightclub atmosphere, using cinematography to make a character feel isolated, what the heck a “book light” is, and more!
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In STOWAWAY, cinematographer Klemens Becker embraces claustrophobic cinematography while filming inside a spaceship. We also discuss simulated gravity, recreating the suns intensity in space, and his human take on a space story.
Klemens and Go Creative Show host, Ben Consoli, discuss how 36,000 LEDs lit up the spaceship set, why almost all the VFX was created before filming began, recreating zero gravity, and much more!
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THE HAUNTING OF BLY MANOR expands on the cinematic universe of HILL HOUSE with gorgeous dark cinematography and blooming highlights. Cinematographer James Kniest shares this approach and filming an episode entirely in black and white.
James and Go Creative Show host, Ben Consoli, discuss lighting a scene with only candlelight, how netting on lenses blooms highlights, how to gradually adjust aperture, the show’s subtle camera movement, and more!
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Horror cinematographer mastermind Checco Varese ASC teaches us how he filmed trauma and fear for Amazon Studios’ THEM. Checco explains his approach to the series’ gorgeous cinematography and his philosophy as a filmmaker.
Checco and Go Creative Show host, Ben Consoli, discuss ways to invoke anxiety and terror through cinematography, tips for new cinematographers, using virtual filmmaking to film a creature attack on a 1950s bus, the Jordan Peele US controversy and more!
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NOBODY is a thrilling, high-paced action movie starring BETTER CALL SAUL’s Bob Odenkirk. Cinematographer Pawel Pogorzelski shares his experiences coming from films like MIDSOMMAR and HEREDITARY to NOBODY – his first action film.
Pawel and Go Creative Show host, Ben Consoli, discuss how the his cinematic approach evolves throughout the movie, his close relationship with the stunt coordinator, why the car chases were the so challenging, lighting for the darkness, and more!
