Go Creative Show’s Ben Consoli and iFilmmaker Podcast’s Ariel Martinez discuss how they joined forces with creative director Mike Heid to produce the CITY TIES web series for New Era and the NBA. This incredibly ambitious shoot required 3 production crews in 3 different cities to film Boston Celtics’ Jayson Tatum, Miami Heat’s Tyler Herro and host Quentin Richardson talking about the historic 19-20 NBA Season.
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Learn how Chadwick Boseman, Viola Davis, and cinematographer Tobias Schliessler ASC brought MA RAINEY’S BLACK BOTTOM to life despite very few sets and many lighting obstacles.
Tobias and Go Creative Show host, Ben Consoli, discuss his portfolio of uniquely styled films, his approach to camera tests, shooting exteriors in the wrong sunlight, making a one-window basement beautiful, working with Chadwick Boseman, and more!
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A cinematographer’s role in an animated film is a unique challenge. In Pixar’s SOUL, Cinematographer Matt Aspbury blended a photo-realistic New York City with an abstract look of the after-life and “You Seminar.” Hear the untold story of directing photography for animation.
Matt and Go Creative Show host, Ben Consoli, discuss the process recreating NYC, Pixar’s animation process, the biggest challenges faced, and much more!
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Hollywood shutdowns and theater closures are changing the filmmaking industry. Variety’s Matt Donnelly explains how this and Warner Brothers controversial distribution decision impacts moving making.
Matt and Go Creative Show host, Ben Consoli, discuss censorship on social media, will Warner Bros succeed in their plans for 2021, how COVID-19 lockdowns are affecting award ceremonies, what to look forward to in 2021, and more!
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Streaming powerhouse COBRA KAI launched its 3rd season on Netflix. See how it all began with cinematographer Cameron Duncan. Learn how he celebrated the beloved Karate Kid film while also creating a new look for COBRA KAI. Plus, Cameron’s experience filming 13 REASONS WHY and PREACHER.
Cameron and Go Creative Show host, Ben Consoli, discuss the importance of coverage for TV, how lighting can help tell a story, how he changed the look for 13 REASONS WHY, the magic of split diopters, and more!
