Podcast: Play in new window | Download
Subscribe: RSS
Tim Ives, cinematographer for Netflix’s Stranger Things, returns to teach us how he filmed season 3.
Tim and Go Creative Show host, Ben Consoli, discuss Tim’s use of LED tubes, shooting season 3 with a full frame RED sensor, the programmable lighting design of the Starcourt Mall , Tim’s thoughts on the future of filmmaking, plus Tim answers audience questions, and more!
Podcast: Play in new window | Download
Subscribe: RSS
Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film.
Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!
Podcast: Play in new window | Download
Subscribe: RSS
Jakob Ihre, cinematographer for HBO’s Chernobyl, gives an inside look at his approach to shooting and lighting the dramatic mini-series.
Jakob and Go Creative Show host, Ben Consoli, discuss how he worked with colorist to create Chernobyl’s distinctive look, their incredible interior/exterior sound stage, most challenging shots of the series and why a water bottle is a valuable cinematic tool.
Podcast: Play in new window | Download
Subscribe: RSS
Pawel Pogorzelski, cinematographer for Hereditary and Midsommar, shares a behind the scenes look at his approach to lighting and shooting these chilling horror movies.
Pawel and Go Creative Show host, Ben Consoli, discuss working with the films’ director Ari Aster, creating the dark and moody appearence of Hereditary, creating the bright Technicolor look for Midsommar, Midsommar’s challenging 360 degree panning shots without seeing the crew, the color of Midsommar, audience questions, and much more!
Podcast: Play in new window | Download
Subscribe: RSS
Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. Matthew and Go Creative Show host, Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!
