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After 2 weeks using the Canon C300 Mark II, Dan Chung from NewsShooter is on the show to tell us all about it. Plus Dan’s experience with the Sony A7R2. This episode is all about gear so strap in kids!
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Today we invite Seth Worley and Aharon Rabinowitz from Red Giant to discuss their brilliant and widely successful short films for Red Giant Films. How did this film company begin, and how has it changed their lives?
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Today I’m joined by Alex Buono, cinematographer, director and Director of Photography for Saturday Night Live’s Film Unit. Alex shares stories from some of the most iconic and challenging SNL shorts as well as his brand new Visual Storytelling 2 tour.
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Today filmmaker Ron Dawson and I talk about running a production company. We discuss the challenges and rewards of commercial and corporate video, how to make your company stand out among the competition, and Ron’s philosophy of Collaborative Leveraging and how it could bring you the creative work you desire.
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Today we discuss the brilliant cinematography of Mad Max: Fury Road with second unit Director of Photography David Burr. We get a behind the scenes look into all of the incredible challenges and innovations that made this film an instant classic.
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Today we invite Ludovic Littee, director of photography for Orange is the New Black. We discuss this massive Netflix hit and Ludovic’s journey from First AC to camera operator to Director of Photography. What does a first AC really do, and why are they considered the unsung hero’s of production. We discuss it all.
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Today we discuss the business of stock footage with Derick Rhodes from Shutterstock Derick teaches us how to get started in the stock footage business, what kinds of footage are successful, how to legally protect yourself and how 4K has changed the industry for the better. You could be the next stock superstar with the footage on your cutting room floor.
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Today we speak with Rick Macomber, an Emmy Award winning Director of Photography and photojournalist for CBS News. We discuss camera related injuries caused by the common repetitive motions that most camera operators do every day. If you are a camera operator, you may be a risk for these damaging injuries and we discuss how to identify and prevent them.
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Today we speak with Rob Hardy, BSC, the brilliant cinematographer of the film Ex Machina. We discuss his lighting techniques, his decision to use the Sony F65 and all the subtle cinematic nuances that make Ex Machina one of the most human-centric science fiction films of our time.
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Today I’m joined by Matt Russell as we conclude our coverage of NAB 2015 with an interview with legendary Hollywood sound designer, Frank Serafine. We discuss his incredible career designing sound for films like StarTrek, Tron and The Hunt for Red October plus his upcoming nationwide Sound Advice tour.
